"Today we are accustomed to
looking at the Greek language in the height, in the classical perfection, that
Plato or Sophocles held for us. It is this language that will be an inimitable
example of the Language itself, because it combines the two highest
possibilities of the term: the sharp borderline and the musicality, that it is
equally plastic and intense. In Greek, from the beginning, there was an
opportunity to achieve this perfection. The material of the Greek language is
most likened to white marble. This stone has that property: a border and music
together, hardness and softness, the wholeness of life and spirit, isolation
and melting. This is the deep relation between Sophocles and Pheidias; one with the language carved into perfect
figures, the other dramatizes in the statue."
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