Let’s start right away with the name of the
goddess. According to Palmer, the Minoan name of the goddess is associated with
the name ’A-SA-SA-RA’, which is explained in the linear A texts. Although the
linear A writing is not quite readable today, Palmer still refers to captions
that include ’A-SA-SA-RA-ME’, which he says is identical to the Hittite
’ishassara’, meaning both mistress and lover. In this case, the goddess could
easily be the mistress of the house, as the entire household was taken care of
by the woman.
But if she were the mistress of the house,
why would she keep two snakes over her head? Traditionally, the snake is a
symbol of renewal as it peels off its skin from time to time and renews itself.
In Minoan culture, the snake is the protector of the house, a role that later
appears in the Greek religion. In the
Greek cult of Dionysos, the snake was a symbol both wisdom and fertility. Let’s
see what we have collected so far: mistress of the house, rebirth, new life,
wisdom and fertility. Okay, this all sounds very good, but what has this got to
do with the female gender? Is there anything else?
Of course it is.
According to some scholars, the snake can be identified with the Phoenician
goddess Astarte (the virgin girl). The cult of the goddess of fertility and
sexuality is full of orgiastic elements. Her temples were decorated with
serpent motifs. Evans linked the snake-goddess to the Egyptian snake-goddess,
’UADSET’, but didn’t make that connection. Statuettes like our goddess snakes
have also been unearthed from Egypt, and they are called the magical priests of
UADSET by the papyri. (though, who int he land of Egypt who doesn’t have
magical abilities?!?)
The story is a little
more nuanced though. Let’s take an easier path and see the first snake goddess
we know. She is the most famous of them all. This snake goddess was found by
the British Arthur Evans in 1903 in the temple of the palace of Knossos. The
figurine is made of faience, using a process similar to making pottery. It
looks stunning. In ancient Egypt, this material symbolized the renewal of life
and was therefore used in funeral cults and shrines. After firing it gets
bright colors and bright light, so the goddess’s dress will be dazzlingly
bright. The figurine’s clothing still fits the concept of ’bold wear’: really
sexy outfit. We may see the wear of the women of Minos: the little vest fits
snugly to the body, but leaves the breasts free, a long, ruffled skirt, and a
woven, embroidered little apron.
The statue reflects
pride. It is also possible that the dress belongs to the cult, a special wear.
Perhaps we can best understand the goddess’s message when we, women, pick up
such a sexy set and swing snakes over our hands. Because this cult is not for
men!
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